Coverage, interviews, announcements, and outside perspectives on the projects, people, and visual systems behind MELT EVERYTHING.
This page brings the historic Melt Creative and Melt Interactive press archive into the studio’s current home. New features and announcements will be added here.
Cypher Sessions covered the exact Atmosphere & Friends performance where MELT created and operated a custom visual show for Living Legends, including a tribute animation honoring Aesop the Black Wolf.
Magazine stories, event reporting, artist coverage, and industry features connected to work produced under the MELT EVERYTHING, Melt Interactive, and Melt Creative names.
Coverage of Cetadelic’s new direction names Morgan Lavery, CEO of Melt Creative, as a creator of the initiative and quotes him on using immersive art, music, and visual storytelling to support ocean-conservation organizations.
Electronic Music Alliance profiles Cetadelic as a cause-driven campaign led by Morgan Lavery, CEO of Melt Creative, and follows how Morgan brought Josh Valenzuela and GANTASMO into the project’s open-source visual and music ecosystem.
A second perspective on the exact Red Rocks show, highlighting Living Legends and the all-star underground hip-hop lineup.
Burning Man’s official gallery documents Morgan Lavery operating the video-mapping visuals for Opulent Temple as the crowd gathers for the camp’s nighttime music programming.
Production and local reporting document the exact Super Bowl LVIII activation: Don Julio 1942 projected across two faces of the 1,149-foot STRAT tower. MELT converged and blended the 35-projector south-face system for the Lumen & Forge production.
Riot Games announced its one-night Brownies & Lemonade music event in Downtown Los Angeles, part of the wider VALORANT Champions takeover where MELT operated the live visual show.
Josh Valenzuela and Morgan Lavery joined the Stop Questioning Everything podcast to discuss Melt Interactive, Web3-era creative practice, and 3D animation work for Non-Fungible Labs projects including Seekers and Muhammad Ali: The Next Legends.
Official SXSW and local reporting on FLUF Village, FLUF Haus, and the three custom-built domes that brought the digital world into a physical event environment. Altered State Machine’s event recap also credits Melt Interactive with bringing Brains and All-Stars into an immersive dome experience.
Coverage of the exact Dell Technologies World gathering supported by MELT’s large-format visual environment, scenic screens, and branded stage media.
Authentic Brands Group’s official announcement introduces the AI-powered boxing world and identifies Non-Fungible Labs as the visual-game and character-design lead—the production pipeline where MELT provided motion-capture and character-rigging support.
VICE Romania interviews the camp’s founder about the exact Vampire Empire environment, its Romanian identity, gothic details, interactive programming, and elaborate build—the architecture for MELT’s custom projection-mapped stained-glass system.
Features on the Santa Ana superstore’s interactive digital beach, wall-scale waterfall, and immersive retail environment-the visual systems at the center of MELT’s project.
CBS documents the exact Emmersive Entertainment production where Laurie Segall became a 3D avatar and Flo Rida explored full-scale entertainment NFTs. MELT cofounders helped build Emmersive and ran the volumetric-capture and avatar workflow featured in the segment.
Live Design directly credits Melt Creative with creating the bulk of the tour’s video content and details the collaborative storyboarding, cue integration, virtual scenery, CGI pyro, and synchronized playback workflow.
PLSN’s worldwide launch report documents Avolites Synergy Day concluding at Melt Creative in Las Vegas, where Group One demonstrated the combined lighting-and-video control system.
Live Design names Melt Creative’s Las Vegas studio as one of three US hosts selected for Avolites’ intensive Ai media-server training program.
Amway’s official A60 page and the event designer’s case study document the international anniversary gathering at Mandalay Bay where MELT mapped branded media across the outdoor beach environment.
A feature on the festival’s cultural and economic impact, connected to MELT’s live social content and festival visual work.
Production reporting and passenger reviews document Celebrity Edge’s technologically advanced theater, panoramic projection system, and the finished Jewelry Box, Purpose, and Hype productions supported by MELT’s scenic media.
Production partner Lumen and Forge directly credits Melt Interactive for helping create and execute the big-air projection-mapping spectacle at Sugarloaf Mountain Resort.
The Los Angeles Times reviews the inaugural Adult Swim Festival, while Buzzbands’ independent photo report documents the exact ROW DTLA environment where MELT contributed projection mapping and festival visual content.
An extended interview with Melt Creative VJ Jordan “Pickles” Leonard discusses Morgan Lavery, the Datsik touring pipeline, content creation, stage design, immersive installations, and the studio’s expansion from electronic music into corporate visual production.
A review of Said The Sky’s Always Summer live show and its expanded audiovisual presentation.
Dancing Astronaut’s report on Skrillex’s Camp Questionmark set directly identifies Infinight as the visual artist behind the custom show accompanying the performance.
Production and editorial recaps document the inaugural festival’s projector platforms, volcanoes, dinosaurs, and large-format environments. Kyle Gordon’s published collaborator archive directly credits Melt Creative within the 4K and 8K visual team.
Live Design and DJ Mag cover the Cube 2.1 tour’s moving graphic-panel system and custom visual world, where MELT contributed real-time animations, rendered loops, programming, rehearsal, and show-system integration.
American Salon recounts the Manhattan-themed opening production at Mandalay Bay. Studio ZIRO’s project record directly names Melt Creative as a collaborator on the pre-mapped 4K content for the motorized center wall, 120-foot runway, and LED wings.
The official 2017 Skoll World Forum program lists Melt Creative among the event’s creative partners for the Oxford gathering, where the studio created and operated 4K ceremony content.
303 Magazine and Insomniac document the Ninja Nation tour’s Shogun visual stage production, the architectural LED temple for which MELT created mapped content and provided touring visual direction and VJ operation.
Live Design documents the 50-by-160-foot 8K wall built for the 2017 Snake Pit and quotes production designer Collyns Stenzel directly crediting “Morgan at MELT Creative” for the custom content on the massive screens.
Bassnectar’s official Bass Center recap names Melt Creative among the visual artists whose original work premiered as part of the event’s multimedia production.
Independent photographs and complete video coverage preserve the invitation-only announcement and press conference inside the Hollywood Palladium, where MELT created custom 360-degree mapped environments for SGE.
Life in Color production director Daniel Bouchard directly credits Morgan Lavery and the Melt Creative team for developing the Paint Factory’s touring visual content and masked video system.
Insomniac focuses on the immersive military and post-apocalyptic Bunker stage at the center of the Hi-Def Youth Tour, where MELT worked under Immanent’s creative direction to develop environmental visual looks.
A review of the exact North American tour describes the Seafox imagery, LED-screen content, live production, and complete audiovisual experience supported by MELT’s custom content, camera feeds, timecode, and touring VJ operation.
TechCrunch’s official recap documents the five-day Pier 48 conference, its stages, speakers, Startup Battlefield, and visual event environment supported by MELT’s show content and live operation.
A production-focused look at the When Darkness Falls tour’s lighting, scenic system, and custom visual world.
LA Weekly’s feature on the Vortex tour and the immersive show design surrounding Datsik’s live performance.
Coverage of the exact Indy 500 Snake Pit lineup accompanied by MELT’s custom visual loops, sponsor content, and live stage media.
Billboard coverage of Life in Color’s expansion and touring festival world, featuring MELT’s main-stage visual design and architectural mapping work.
Coverage of the Slipknot-led festival where MELT created architectural mapping content for the event environment.
A feature on the artists and operators shaping the visual layer of live music culture.
Houston Press identifies Morgan Lavery / Infinight Productions and directly credits him with the live visuals for The Crystal Method’s Stereo Live performance.
Through Future Visual, Morgan Lavery helped produce and write the recurring “Superstar VJs” column for DJ Mag Canada, covering VJ culture, live visuals, stage media, and the artists shaping electronic music’s visual world. This recovered page follows VJ Infinight and the Visual Jedi creating custom festival visuals for Dash Berlin, Borgore, Cedric Gervais, and Krafty Kuts across four Miami stages.
Live Design identifies the touring stage as Morgan Lavery’s concept and interviews him about its physical construction, dimensional visual worlds, LED system, and road-ready design.
Early coverage of Borgore’s custom Cream Machine stage design and the tour built around it. PLSN’s follow-up coverage directly identifies the truck as a concept by VJ Morgan Lavery, owner of Infinight Productions, and quotes him on the road-ready stage build.
Opulent Temple’s official lineup and Ralph Lawson’s first-person report document Carl Cox’s Friday-night set as Burning Man 2012’s peak musical draw. Morgan Lavery, performing as VJ Infinight, created and operated the live visuals across the stage’s twin projection surfaces.
Send published coverage, interview requests, announcements, or press materials and we’ll connect them to the right project.